
Hampton Court
Flower Show 2002

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The
next morning after breakfast, we set off for our first garden,
Chiswisk House and Gardens.
Until
the nineteenth century, historians believed that Lord Burlington,
who built Chiswick House in the 1720s, was merely the interested
owner. In fact, as an American scholar discovered in 1927, his
Lordship was actually the architect of the House.
Burlington
admired the neo-classical buildings of
sixteenth-century
Italy
, and today Chiswick House is recognized
internationally as one of the finest English buildings inspired by
the architecture of ancient
Rome
. While the house was built chiefly as
his residence, Lord Burlington was intent on creating a setting fit
for his collection of art and books. You can enjoy the charms of the
house, including the lavish Blue Velvet Room, and then step outside
to the perfect symmetry of the Italianate gardens with their
statues, temples, obelisks and urns. A perfect complement to the
house itself.
The 1720s garden was sufficiently changed by ‘landscape’ ideas
for Pope to see it as the first garden in which ‘the genius of the
place’ had been consulted. Lord Burlington, the owner and chief
designer, was helped by Charles Bridgeman and William Kent. They
aimed to make an Augustan villa. The architecture was modelled on
Palladio’s 1550 Villa Rotunda. Buildings and obilisks were placed
at the ends of avenues, in the Baroque manner. Classical busts,
sphinxes, columns and an exedra helped to re-create the landscape of
antiquity. William Kent helped with the classical allusions,
designed a rustic cascade and gently serpentined canal. The area
between the house and the canal, occupied by a maze in 1730, was
the first to be treated in this way. Since
Kent
’s style became influential, we are
fortunate that it survives.
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Then
off to
Kew
…
The
gardens provide a rainbow of colours. Partly landscaped by
Capability Brown, he is possibly most famous for its glasshouses,
dominated by the large palm house, where everything from orchids to
exotic plants survive. I
have been to
Kew
a few times and each time try to go
someplace where I have not visited.
I visited the
Marianne North Gallery and was astounded at the number of paintings
this woman painted
…
832
of them are displayed here,
this will give you further information
http://www.rbgkew.org.uk/ksheets/mnorth.html
This building is the red brick one with the green door.
I also walked all
the way down to visit the Pagoda (One of
Kew
's most famous features, the Pagoda was completed in 1762 for
Princess Augusta, George III's mother, who actually founded the
botanic garden at
Kew
. Each successive story
diminishes by 0.3m in both diameter and height. Originally the roofs
were covered with ceramic tiles and decorated with iron dragons,
which were placed at the angles of the roof, but these are reputed
to have been sold by George IV to settle some of his debts), the
Ruined Arch, the Flag Pole (This flag pole is the fourth to stand on
this site. It is approximately 70m tall and is made from the trunk
of a Douglas fir (Pseudotsuga menziesii), estimated at 370
years old. It weighed 37 tonnes when first cut but was reduced to 15
tonnes after shaping at
Kew
.
The tree was
presented by
British Columbia
to commemorate the centenary of the province in 1958, and the
bicentenary of the Royal Botanic Gardens,
Kew
in 1959. The flag is flown on royal birthdays and anniversaries, and
on state occasions. ), the glasshouses (always a treat and this time
I even walked up to the top of one to get some photos)
The Japanese Gateway (Chokushi-Mon (Gateway of the Imperial
Messenger) is a replica (four-fifths actual size) of the Karamon of
Nishi Hongan-ji in
Kyoto
.
The
replica was created for the Japan-British Exhibition held in
London
in 1910, and after the exhibition closed, it was dismantled and
reconstructed in the Royal Botanic Gardens,
Kew
.
It is the finest example of a traditional Japanese building in
Europe
.
Built in the architectural style of the Momoyama period (late
sixteenth century), Chokushi-Mon has finely carved woodwork,
depicting stylised flowers and animals. The most intricately carved
panels portray an ancient Chinese legend depicting the devotion of a
pupil to his master) I
even got a picture of one of the fellows trimming the water lilies.
I would also strongly advise not touching these leaves
…
they are full
of very prickly spines on the undersides!
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